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Product ID: 29973

Items Remaining: 2

 

15.0" Diam. x 26.0" H

view in metric units

 

Weight:  22.3 lbs

 

Tweneboa wood

Ships from NOVICA Office in Ghana.




Wood djembe drum, 'Gye Nyame and Egyptian Woman'

Imposing, this djembe drum by Ernestina Oppong possesses the power of ancient rhythms as two traditional Adinkra (Ghanaian symbols) are skillfully elaborated on a wooden base. Like a rotating blade appears Gye Nyame, translated as "I am afraid of none but God." On the other side, the head of a beautiful Egyptian woman surfaces, her mellow features offering a touch of serenity. Transform the beat of any home décor with this piece.

Oppong...

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Wood djembe drum, 'Gye Nyame and Egyptian Woman'

Imposing, this djembe drum by Ernestina Oppong possesses the power of ancient rhythms as two traditional Adinkra (Ghanaian symbols) are skillfully elaborated on a wooden base. Like a rotating blade appears Gye Nyame, translated as "I am afraid of none but God." On the other side, the head of a beautiful Egyptian woman surfaces, her mellow features offering a touch of serenity. Transform the beat of any home décor with this piece.

Oppong combines a passion for carving with music, resulting in traditional instruments with contemporary flair. Tweneboa, a kind of hardwood, provides the body for the drum; its golden tone highlighting the engaging designs. Oppong applies shoe and mansion polish to enhance the wood's smooth, radiant appearance. Iron rod rings are attached to the mouth of the drum and wrapped with cotton to prevent rusting. Through these rings nylon ropes are double-woven, securely fastening the goatskin to the wood.

To play, sit on the edge of a chair with your ankles crossed, the top of the drum fitting neatly between your knees as the base of the drum rests behind your heels. This way the drum is angled away from you. Sitting up straight with your hands resting on the drum's playing surface, your wrists should become flat and you will be in position to create the standard djembe sounds. Djembes produce three basic sounds: bass, tone, and slap.

BASS: With the hand flat and fingers together, place the hand at the dimension of two fists above the center of the playing surface. Allow the hand to strike and bounce back to the original position above the center.
TONE: This is the high-pitched sound produced by striking the top surface nearest the edge with firmly placed fingers.
SLAP: Strike the playing surface's edge first with the heel of your hand, and then allow your fingers to naturally bounce down towards the drum's center.
Your Price: $172.95
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Ernestina Oppong Asante

Ernestina Oppong Asante

"Though carving has long been regarded as the preserve of men, I am glad that I have been able not only to infiltrate but to also make an impact on the trade."
Artist and musical instrument maker Ernestina Oppong Assante has been featured in periodicals ranging from Red Herring Magazine to The Christian Science Monitor. She is also featured in Keepers...

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Ernestina Oppong Asante

Artist and musical instrument maker Ernestina Oppong Assante has been featured in periodicals ranging from Red Herring Magazine to The Christian Science Monitor. She is also featured in Keepers of the Arts, a beautiful hardcover book available through Novica.

"I was born at in the eastern region of Ghana on July 23, 1968, and had my early education there. I trained in dressmaking but on completion of the course, I realized that the trade would not do well inm y town. I therefore decided to learn a popular trade like carving. I trained under one Kwame Duah and within three years I had perfected the skill and was developing woodcarvings on my own. Since 1995, I have been operating a workshop of my own with four people working under me. Fortunately, my husband David Assante also trained as a carver and so we combine our skills to design and carve the drums with perfection.

"From Nakese in the eastern region I acquire a type of hardwood known as tweneboa for carving the drums. For the pegs I use the odum tree. Other materials I use are animal skin, pieces of cloth, iron rods and strings. The wood is already carved into hollows before I buy it. I then carve in the Adinkra and other symbols and designs. The next stage is to have the apprentices smoothe the woodwork with sandpaper. The iron rings which are placed on the mouth of the drum are wrapped with pieces of cloth to prevent rusting. The animal skin is bought from the northern region of Ghana and its environs. It is soaked in water for about two hours to soften. The skin is firmly pulled through the iron rings to cover the mouth of the drum and this ensures that it comes out with a good sound. The drum is then left in the sun to dry after which it is tested for sound and tone quality.

"I love making drums. I believe that there are very bright business prospects for the African traditional drum. Though carving has long been regarded as the preserve of men, I am glad that I have been able not only to infiltrate but to also make an impact on the trade. For the years that I have been in this business, I have never had any regrets whatsoever. It is my fervent hope to carve more interesting drums for you to enjoy."

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Customer Reviews of Ernestina Oppong Asante

Dear Ms Asante, I recently ordered a djembe from you, one that had masks carved on it. The drum arrived in excellent condition, and has a beautiful sound. I am very pleased with the drum, and get...

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